Archive for October, 2007

Insanely original

Ok, I saw this video today and it’s insanely original… well, it is insane no matter how you look at it. Another fine example of a highly derivative work that is creative and original (though it does have a lot in common with Monty Python’s Flying Circus). Click here to go directly to YouTube.

Ok, so the video has been quickly removed :(

I wonder whether this is the doing of the automatic copyrighted content recognition and removal system I heard YouTube has installed. I also wonder what will happen to fair use if one day copyright enforcement will become perfectly automated and unbreakable.

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Copy. Right?

This video is amazing, probably the most entertaining way of learning about the negative effects of excessive copyright restrictions, but also about the defense provided by fair use. Sure, good arguments can be made in support of copyright, but hey, this is more fun. And creative, even if it is a strictly derivative work. If the embedded video does not work, click here to go to YouTube.

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DMR=no-DRM?

So I just read this yesterday: According to this post on Ars Technica, DRM-free iTunes Plus downloads will be priced at 99c instead of $1.29. Is this a result of competitive pressure from Amazon’s new MP3 store (available only in the US) which sells only DRM-free music from EMI and others at lower prices? Hard to believe, as Amazon’s share in the MP3 market must be negligible and their site leaves much to be desired, but it could be that Apple is proactively dropping their prices on iTunes to maintain their pole position. Most likely I would guess that they have found their pricing at $1.29 was too high.

But if all this is true, it will mean that iTunes will offer DRM and non-DRM versions of the same songs, for the same price!

Something is wrong here, there is probably some transition going on, where, if any of this is true, Apple is reconsidering their pricing. They have two options: Either they drop the DRM versions entirely for those labels and artists who favor the DRM-free format, or they must price DRM and non-DRM versions differently. A subscription model for DRM songs would be an alternative.

And of course if they do price all DRM-free downloads at the standard price of 99c they ought to offer a free upgrade to all those faithful iTunes buyers who paid 99c to get the DRM versions!

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CC needs your money

CC has embarked on a new fund raising campaign, one in which many good people are investing a lot of their time to promote a good cause and ensure the financial sustainability of Creative Commons.

What are you waiting for? They got t-shirts and stickers too!

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It’s been a while…

Yes, it’s been a while since my last post, too much work and travel kept me from posting more frequently. I hope to improve on this, I’ll add this to my bottomless TO-DO list, whose ability to stay always full can only be matched by my PAPERS-TO-READ list. There’s so much happening these days in and around Creative Commons, digital media, fair use, virtual worlds, all these topics that get me excited, that it can be hard to stay on top of all this information.

First things first: State of Play V in Singapore was a great experience, one of the few occasions in this world I would guess (the other one I can think of being the iSummit) where one can meet so many lawyers who are fun to talk to and are actually working on interesting and cutting edge stuff instead of settling divorces and inheritance claims (which is what I always thought lawyers are for after all). I think the workshop organized by CAPTEL wherein I also gave my own little ’spiel’ on CC and Second Life went quite well, at least I learned a lot from it and had many good follow-up discussions.

Then came TPRC in Washington DC. First time at TPRC for me, though I’ve known of its existence for many years now, just didn’t have much to say about policy in the past. But now I do have one or two things to say about CC, copyright and the balancing of the rights of authors, copyright owners, and society at large. You can read my paper “Taking Stock of the Creative Commons Experiment” with Warren Chik, Ankit Guglani and Giri Tayi on the TPRC website (also blogged on the CC blog).

Very interesting were also the other presentations at our session (see link above), especially that of Mark Schultz on the Cost Disease of public live performance is very relevant for anyone interested in the future of music recording versus live performance. James Grimmelmann presented at another session on commons production and the role of moderation, a more theoretical piece which needs to be read more carefully to be appreciated. Overall it is now clear to me what the main value of TPRC is: getting to know in just a couple of days what the hottest topics are at the intersection of networks, media, law and policy. And for that alone it was worth it.

Washington subway

Washington subway station, not your shoddy NY subway :)

Other than that, Washington seems like a nice city, much more quiet than New York, with all the positive and negative qualities that come with being quiet. New York is a mad, howling gorilla of a city, it is great fun, but with a uniquely negative vibe, perhaps this is why it is attracting so much love and hate, domestic and imported.

Washington - view from Smithsonian

Washington – view from the Smithsonian

If you get a chance, visit the Hirshhorn Museum in Washington, this is about the only bit of ‘tourism’ I did in the city, and it was worth it: hosting a good collection of modern American and some foreign sculpture, paintings, and installations.

Washington - view from Hirshhorn

Washington – view from the Hirshhorn museum

After Washington and NYC it was off to San Francisco and the Silly Valley…

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